Music As We Know It

There were many composers who claimed to invent a new musical genre - the opera. But, possibly the true inventor was an Italian composer Jacopo Peri. He was born in Rome in 1561 and studied music in Florence. Then he worked in a number of churches as a singer and an organist until he landed a great job at the famous Medici court.He became rather popular there growing from the position of the first tenor and organist to the pedestal of a famous composer of the court madrigals and music for plays. His style of music writing is ranging from the late Renaissance to early Baroque music.

Jacopo Peri would probably spent his life by writing incidental music for the court but in the 1590s he got acquainted and became friends with Jacopo Corsi, who at the time was the leading patron of music in Florence.

Soon they found that they share common interests. They both were living in the transitional period between the Renaissance and Baroque styles and thought highly of Greek and Roman works. In fact, they felt so strongly about the ancient art that they hold it in higher esteem than contemporary art.

The urge to return to the times of antiquity made our two composers full of desire to recreate Greek tragedy the way they understood it. They created the music and invited then popular poet Ottavio Rinuccini to write a text. At the end of their labors a first opera Dafne was born in 1597, which did not survive to our days.

Obviously, this joint work had some success because Jacopo Peri and Ottavio Rinuccini started creating their second work that they named Euridice. Unlike Dafne, Euridice survived to the present day. We can see that it was a far cry from ancient Greeks understanding of the classical tragedy. Yet, during the development of both operas they introduced first recitatives and arias as the integral part of the play.

Eruidice was first staged on October 6, 1600. Jacopo Peri created a number of other operas and more pieces for court entertainment. However, he quickly went out of fashion while the star of the young reformist composer Claudio Monteverdi rose up and began to shine. Peri quietly died in 1633 in Florence, and his death was hardly noticed by any of his fellow citizens.

Even now, nobody stages Peri’s operas. His operatic style is looked upon as some kind of musical curiosity. However we are all indebted to him, because his influence on young Baroque composers was immense and, after all, he was the inventor of the opera.

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